Structuring & Silhouette…

With the shift towards unstructured fashions during the 1910s, it appeared to many that the corset’s days were numbered as a major fashion item. Leading the way, designers such as Paul Poiret and Jeanne Margaine-Lacroix introduced styles that harkened back to Classical Greece and the Directoire, styles that were diametrically opposed to the tightly structured s-bend corset/pouter pigeon silhouette of the early 1900s.  However, while garments themselves were no longer structured to follow the lines of the corset, the corset still lived on in modified forms such as the ones pictured in this advertisements published in the August 15, 1914 edition of Vogue Magazine:

Vogue Aug 15 1914_Corset Ad

Now the emphasis was on styles that were free and unrestrained yet at the same time, the body was still structured. What is also interesting is that the advertisement refers to a style created by Margaine-Lacroix, a designer who had recently acquired notoriety for a series of skin-tight body contour dresses that defied convention. However as seen below, many of Margaine-Lacroix’s designs were squarely within the major trends of the time:

Margaine-Lacroix 1914

Margaine-Lacroix c. 1908 - 1910 Dress

Margaine-Lacroix, Dress, c. 1908 – 1910; Metropolitan Museum of Art (1979.346.32)

Margaine-Lacroix c. 1908 - 1910 Dress

Flat Detail View

As with fashion in general, foundation garments were also changing but their effect was somewhat more muted and in another ten years, fashions would evolve into even more unstructured styles. Stay tuned for more as we bring forward various bits and pieces of fashion history for your please. 🙂

 

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