The Ensemble Dress, c. 1877

Ensemble dresses were not just present in the 1890s- here’s an example from circa 1877 by Worth:

Worth Reception Dress 1877

Worth, Ensemble Dress, c. 1877 – 1878; Cincinnati Art Museum (1986.1200a-c)

The view above reflects the cuirass bodice style that was coming into vogue during the late 1870s and the lines are well-sculpted and clean with a minimum of trim. This bodice was intended more for wear at daytime functions while the bodice below was meant for evening functions:

Reception gown, Worth, c. 1877-78

With the night bodice.

Here’s a close up of the day bodice. The edges of the bodice front openings and sleeve cuffs are trimmed with the same fabric that the underskirt is made from, combined with lace trim.

Reception gown, Worth, c. 1877-78.

Close-up of the day bodice.

Although we don’t have a side profile picture, it does appear that the silhouette is a bit more slimmed down and with the cuirass bodice, the wouldn’t be much room for a full bustle.  Stay tuned for more on ensemble dresses…

The Ensemble Dress, Redux

Here’s another ensemble dress from Maison Worth, also from 1893. Style-wise, it’s similar to the example that we presented in yesterday’s post but perhaps a little more restrained. Here are a few views:

Worth 1893 Day Reception Afternoon Dress

Worth, Ensemble Dress, 1893; Metropolitan Museum of Art (2009.300.620a–e)

Worth 1893 Day Reception Afternoon Dress

The Alternate Bodice

Once again, we see a jacket style for the day bodice with a filler of tulle. The skirt and jacket bodice are a pea-green silk brocade with black lace trim and accents. The night bodice with its light cinnamon colored silk velvet provides a pleasant contrast to the pea green. Compared to yesterday’s example, this dress is a bit more restrained but it’s still a nice design. The silk brocade fabric is interesting and we only wish that there were some close-up pictures of the fabric detail. It’s evident that both the dress and the one in yesterday’s post used identical or fairly similar pattern pieces. Finally, here’s an interesting part of the ensemble- matching shoes:

Worth 1893 Shoes

Matching shoes to outfit.

Stay tuned for more posts on this subject. 🙂

 

The Ensemble Dress

Ensemble Evening Reception Dress Worth 1893

One interesting aspect of Charles Worth’s designs was what was called the “Ensemble Dress.” This was a dress that had two bodices, typically one for day wear and one for evening wear so one could have a nice semi-formal dress for calling on friends, going into town, or attending some sort of day function. At the same time, with a change in bodices, one would have also be properly dressed for an evening function. Below is just one example that was made by Worth in 1893:

Ensemble Evening Reception Dress Worth 1893

Worth, Evening Ensemble Dress, 1893; Metropolitan Museum of Art (2009.300.622a–c)

First, we have a day bodice that’s designed like a jacket; no doubt some wort of a waist was worn underneath even though it would have been covered by the lace strips running down the front. And then we have a night bodice that’s perhaps a little more formal:

Ensemble Evening Reception Dress Worth 1893

The Alternate Bodice

And here’s a rear view of the dress with the day bodice:

Ensemble Evening Reception Dress Worth 1893

Rear View

In terms of silhouette, this is characteristic for the early 1890s with it’s fairly restrained train arrangement- most likely a small bustle pad was worn but not much else. The fact there’s small train points to it being more of a formal dress (with day and night configurations). The fabric is a silver colored silk satin with a gold leaf pattern decoration woven in broken texture that services to provide a contrast both in texture and color. The red silk velvet lapels and sleeve trim on the day bodice and the red bodice front on the night bodice. The effect is exquisite with either bodice. Below is a close-up of the fabric.

Ensemble Evening Reception Dress Worth 1893

Detail of fabric- too bad it’s not in color.

In 1890s fashion, the skirt and bodice have a minimum of trim and Worth lets the contrasting fabrics, both in color and in texture, speak for themselves. Just one of many exquisite examples from Maison Worth.

 

Looking Back…Clockwork Alchemy

Karin_Thena1

Going through some older pictures, I came across this one from our 2016 trip to the Clockwork Alchemy Convention. I designed these two dresses for our entry in the fashion show. The evening dress on the left is our latest design, the “Lucy”, named after Lucy Westenra, the ill-fated companion of Mina Harker in Bram Stoker’s book Dracula and the subsequent Dracula movies. The dress on the right, the “Camille” is a lavender day dress in shades of lavender with amethyst accents. Both dresses are executed in the Mid-Bustle Era style (late 1870s/early 1880s) and represent some our most recent creations. While there were some challenges making these designs work for the parameters of the fashion show, I was very pleased with the result and I look forward to returning to Clockwork in 2019. 🙂