Bathing Costume
Unlock with PatreonAt The Beach…
As noted in yesterday’s post, interest in sports and outdoor life by both men and women led to the development of specialized clothing to include bathing costume. The attractions of going to the beach as a relief to the hot summer weather was attractive to the point where the 1880s and 1890s, there was a rapid growth of seaside resorts such as Atlantic City and Coney Island. California also had its seaside resorts such as Coronado and Santa Monica. Below is a poem with illustrations from the June 21, 1896 edition of the San Francisco Call:
From the June 21, 1896 edition of the San Francisco Call.
And here’s the poem from the above illustration:
Dance, old sea, for your charmer neareth!
There! She is wrapped in your lace of foam!
Never your summery smile she feareth!
Ha! She is down near the sea pears home!Rare as the pearl her pink foot presses-
Rare as the pink of the pearls, her charms!
Wave that enfolds her, what fortune blesses-
What bliss- as she sways in the wild wave’s arms.Happy sea, by our west shore golden;
Seas of the east- do they chafe and reel,
There where naught can the maids embolden
More than their sandal shoons to wet?
Perhaps the verse is not the best but it’s certainly enthusiastic and celebrates the superiority of the California coast. 🙂 In the end, whether it’s fashion, music, or popular culture in general, nothing is really ever “new.” We hope you’ve enjoyed this little excursion back to 1896.
Hotel Del Coronado, c. 1890
Seaside Fashion…
During the late 19th Century, there was an increase of interest in outdoor activities and in particular going to the beach. At the same time, there was a corresponding interest in having the right look for such occasions. For beachgoing, yachting, or simply spending time at the seashore, designers were quick to respond and by the 1890s, there was a plethora of styles available to women.
Sometimes bathing costume was not available…
It could probably be argued that the first seaside fashions per se where those created for yachting, an activity that was decidedly limited to the upper classes. John Redfern was one of the first to popularize Yachting costume in the 1870s, being conveniently located on the Island of Cowes, the site of the Cowes Regatta which was one of the largest yachting events in Europe. Yachting costume pretty much followed regular day fashions with the only difference being an incorporation of nautical themes derived from naval uniforms, both officer and enlisted (i.e. sailors). Because of the nature of sailing, fabrics tended towards wool, cotton, and linen and trim and ornamentation tended towards the more minimal (although there were always exceptions).
Some of Redfern’s “boating” or yachting fashions in the July 16, 1887 issue of The Queen.
Here is one example of yachting dress that’s possibly attributed to Redfern (according to the auction website) from c. 1895:
Yachting Dress, c. 1895 (originally made in 1890, sleeves have been modified); Kerry Taylor Auctions Website.
Full Front View
Another Close-Up Of Bodice
Close-Up Of Bodice
Side Profile
Rear View
This dress is constructed from a cream-color wool with matching upper sleeves made from a silk “grosgrain”- we suspect that it might be a silk bengaline or faille but the picture quality is not good so it’s hard to determine. It would be interesting to know how it looked in its original configuration before the leg-of-mutton sleeves were installed but we can only assume that the sleeves would have been fairly close to the shoulders with perhaps a small “kick-out” at the top.
Here’s another example from 1897 constructed of a cream-colored linen:
Yachting Dress, c. 1897; Preservation Society of Newport County
This yachting dress was part of the wedding trousseau for Mrs. John Nicholas Brown (née Natalie Bayard Dresser) who had the dress embroidered with the insignia of the New York Yacht Club in 1897.
And as an aside, we have always wondered just how women managed to get on or off of a yacht, given the somewhat confining nature of late 19th Century fashion… 🙂
But it wasn’t all about yachting dress, the nautical theme was carried over into dresses intended simply to be worn at the seashore, whether on the beach or close by:
Day Dress, American, c. 1900; Metropolitan Museum of Art (1980.171.3a–c)
Close-Up Of Front
Front Three-Quarter Profile
Rear View
This dress is made of a mocha or dark khaki-colored linen and was made around 1900; based on the full blouse silhouette (suggestive of the pigeon-breast style), we believe it dates from the early 1900s. With its free-flowing lines, this dress allowed freedom of movement and the linen material was the perfect choice for wear in warm weather.
Taking the nautical theme further, here’s a similar dress from c. 1895:
Day Dress, c. 1895; Metropolitan Museum of Art (1986.150a–e)
Side Profile
Rear View
Like the first dress, this one is also constructed of linen, also in a shade of khaki. This dress is a little more fitted than the first with a slightly longer, narrow skirt and a more fitted blouse but is still practical for wear on the beach on hot summer days. 🙂
Finally, here’s another dress from 1895 that employs a different color combination:
Day Dress, American, c. 1895; The Museum at the Fashion Institute of Technology, New York ( P84.25.2)
The above dress is made from a white cotton pique with salmon-colored cotton trim that’s utilized on the hem, cuffs, belt, and collar. In contrast with the first two dresses, this one is a more structured and definitely has a typical 1890s silhouette (of course, the difference between the dresses may be simply be a matter of staging).
And sometimes one had to improvise at the beach…
Whether or not people wore the right look, the seashore never failed to attract people and especially on a hot summer day. Enjoy your summer! 🙂
At The Seaside, 1890s Style
With Summer almost here, we can’t help but think about how Victorians experienced the seashore during the 1890s and thus this post was born. It’s a little off our usual path but we think that you’ll like it. 🙂
During the late 19th Century, various forms of specialized dress rapidly developed and especially when it came to sporting activities. This was an especially revolutionary development for women in that it signaled that the status of women in society was changing. Where once Women were expected to remain focused solely on domestic activities, they were now increasingly leading public lives and often independent of men (granted, this was an uneven process that continues up to the present).
One of the most dramatic developments was the development of “bathing costume” which allowed women to go swimming at a lake, river, or seashore while maintaining decorum and modesty. However, this was not a smooth process and there was resistance from the more conservative elements to the point where the wearing of bathing costume was either completely illegal or subject to stringent regulation to the point where women could be arrested for indecent exposure if their bathing costume failed to meet local standards.
Le Moniteur de la mode, c. 1893
Specific bathing costume can be traced back at least the 1850s but it wasn’t until the 1890s that bathing costume emerged as a major trend, spurred by the idea that going to the beach was considered to be a healthful social activity.
And the market responded… 🙂 The catalog advertisement below is only one of the wide variety of ads that were out there during the 1890s:
Page From An 1897 Jordan Marsh Catalog
Bathing costume during the 1890s usually consisted of a top, blouse, short bloomers or knickers and a skirt. Stockings and special “bathing boots” made of canvas and cork soles were also worn, all with the idea of the woman not showing too much skin. The fabrics used for making bathing costume were usually wool flannel, wool jersey, mohair, linen, cotton, or some combination thereof. Needless to say, these were not intended for serious swimming (that would come later) but rather wading or simply lounging on the beach. Style-wise, bathing costumes had a nautical theme with sailor collars and the predominant use of blues and blacks.
Posed Picture, c. 1902; Library of Congress
Below are some examples of bathing costume. First, here is one from c. 1878 – 1880 where we see the basic silhouette and style that was to predominate in the 1890s starting to become established:
Bathing Costume, c. 1878 – 1880; Metropolitan Museum of Art (C.I.50.77.1a–c)
Rear View Of The Top
Front View Of The Top
The Bottom
Here’s a later version from the 1890s:
Bathing Costume, c. 1890s; McCord Museum (M992.115.2)
As can be seen from the above, bathing wear had a nautical style reminiscent of naval uniforms of the period, a theme that was to continue on into the early 1900s.
However, even back in the 1890s, there could be dramatic exceptions to the norm when it came to fashion and that was especially evident with this “startling bathing costume” pictured in the August 22, 1897 edition of the San Francisco Call:
The above outfit is certainly a departure from the typical dark-colored nautical-theme in that the base color is white, constructed of horizontal layers of white wool serge. The model is wearing only the knickers and a one-piece bodice/shirt. She appears to be perhaps holding a skirt or cape of sorts. What is interesting is that the front and back of the top match the horizontal layers of the knickers and it appears to almost be a one-piece outfit. This is definitely fashion-forward beach wear of the time. 🙂
Finally, we leave you with this picture below of some frolicking beach-goers, all dressed in variations of the standard 1890s bathing costume style:
“Out for a Time,” Long Beach, c. 1898; California State Library
We hope you have enjoyed this little summer excursion to the beach. 🙂
Some Seaside Fashion…
With the increasing interest in outdoor activities and in particular going to the beach, there was a corresponding increased interest in having the “right” fashion for such occasions. For beachgoing, yachting, or simply spending time at the seashore, designers were quick to respond and by the 1890s, there was a plethora of styles available to women.
Sometimes bathing costume was not available…
It could probably be argued that the first seaside fashions per se where those created for yachting, an activity that was decidedly limited to the upper classes. John Redfern was one of the first to popularize Yachting costume in the 1870s, being conveniently located on the Island of Cowes, the site of the Cowes Regatta which was one of the largest yachting events in Europe. Yachting costume pretty much followed regular day fashions with the only difference being an incorporation of nautical themes derived from naval uniforms, both officer and enlisted (i.e. sailors). Because of the nature of sailing, fabrics tended towards wool, cotton, and linen and trim and ornamentation tended towards the more minimal (although there were always exceptions).
Some of Redfern’s “boating” or yachting fashions in the July 16, 1887 issue of The Queen.
Here is one example of yachting dress that’s possibly attributed to Redfern (according to the auction website) from c. 1895:
Yachting Dress, c. 1895 (originally made in 1890, sleeves have been modified); Kerry Taylor Auctions Website.
Full Front View
Another Close-Up Of Bodice
Close-Up Of Bodice
Side Profile
Rear View
This dress is constructed from a cream-color wool with matching upper sleeves made from a silk “grosgrain”- we suspect that it might be a silk bengaline or faille but the picture quality is not good so it’s hard to determine. It would be interesting to know how it looked in its original configuration before the leg-of-mutton sleeves were installed but we can only assume that the sleeves would have been fairly close to the shoulders with perhaps a small “kick-out” at the top.
Here’s another example from 1897 constructed of a cream-colored linen:
Yachting Dress, c. 1897; Preservation Society of Newport County
This yachting dress was part of the wedding trousseau for Mrs. John Nicholas Brown (née Natalie Bayard Dresser) who had the dress embroidered with the insignia of the New York Yacht Club in 1897.
And as an aside, we have always wondered just how women managed to get on or off of a yacht, given the somewhat confining nature of late 19th Century fashion… 🙂
But it wasn’t all about yachting dress, the nautical theme was carried over into dresses intended simply to be worn at the seashore, whether on the beach or close by:
Day Dress, American, c. 1900; Metropolitan Museum of Art (1980.171.3a–c)
Close-Up Of Front
Front Three-Quarter Profile
Rear View
This dress is made of a mocha or dark khaki-colored linen and was made around 1900; based on the full blouse silhouette (suggestive of the pigeon-breast style), we believe it dates from the early 1900s. With its free-flowing lines, this dress allowed freedom of movement and the linen material was the perfect choice for wear in warm weather.
Taking the nautical theme further, here’s a similar dress from c. 1895:
Day Dress, c. 1895; Metropolitan Museum of Art (1986.150a–e)
Side Profile
Rear View
Like the first dress, this one is also constructed of linen, also in a shade of khaki. This dress is a little more fitted than the first with a slightly longer, narrow skirt and a more fitted blouse but is still practical for wear on the beach on hot summer days. 🙂
Finally, here’s another dress from 1895 that employs a different color combination:
Day Dress, American, c. 1895; The Museum at the Fashion Institute of Technology, New York ( P84.25.2)
The above dress is made from a white cotton pique with salmon-colored cotton trim that’s utilized on the hem, cuffs, belt, and collar. In contrast with the first two dresses, this one is a more structured and definitely has a typical 1890s silhouette (of course, the difference between the dresses may be simply be a matter of staging).
And sometimes one had to improvise at the beach…
Whether or not people had the “right” fashion, the seashore never failed to attract people and especially on a hot summer day. Enjoy your summer! 🙂