Thinking a season ahead…two 1890s capes currently in the works. The purple one is awaiting its collar. 🙂
And here’s a couple of close-ups of the collar on the red cape:
This is probably one of the most extraordinary things that’s occurred since we started this blog back in 2013 and it’s all because of a post we did on Emile Pingat, a Parisian couturier who operated at about the same time as Charles Worth.
We have been blessed by an early portrait of Emile Pingat that was kindly sent to us by one of our readers, M. Jacques Noel, who is a descendant of M. Pingat. M. Noel gave us permission to post the picture here and we are very grateful, anything pertaining to one of the foremost couturiers during the late 19th Century.
Pingat was famous for the sheer luxury of his designs, utilizing the best fabrics to create styles that, in our opinion, surpass those of Worth. Although we have discussed M. Pingat in prior posts, here’s just a sample of his work:
From day dresses…
To something more formal…
The above is just a small sampling of Pingat’s work and we salute him. 🙂
Today we travel back to 1896 for today’s fashion, a combination of cape and evening gown or reception dress.
Here’s a rough translation of the illustration’s description:
Silk brocade skirt with large knots; bodice neckline covered with silk muslin embroidered with pearls and sown with precious stones.
The first thing that catches the eye is the dress, and more specifically, the belt with its ornate front piece. The centerpiece of this dress is clearly the Swiss Waist or corselet belt1The terms “Swiss Waist,” Swiss Belt,” and “Corselet” were often used interchangeably. and essentially was a fitted belt/sash. The dress is constructed from a yellow silk brocade with a floral pattern with large repeats. The illustration only hints at the design and it’s unknown if there was a fabric with this specific pattern. The bodice neckline is covered in an embroidered silk muslin with jewels and pearls. Depending on the number and quality of the jewels and pearls, this part of the dress could cost substantially more than the rest of the dress. 🙂 Here’s are some examples of how elaborate the Swiss Waist or corselet style could get:
And for an extant dress:
And some closer views of the corselet:
In terms of silhouette, this appears to be either a ball or evening gown, or possibly a reception dress, characteristic of the mid 1890s and the cape would make the perfect garment for wear over gigot sleeves. Unfortunately, there’s no commentary on the cape itself but it’s probable that it was constructed from a lavender/light purple silk velvet decorated in what appears to be some sort of floral trim. Color-wise the combination of yellow and lavender/purple are complementary and make for an aesthetically pleasing combination that fits in for almost any social occasion.
As promised, here’s some progress pictures of the 1880s mantle we’re currently working on. This is based off a pattern that we drafted from an original garment dating from the late 1880s. This one features a crimson fashion fabric with a corded floral pattern with crimson silk velvet facings and a gold moire lining. In these pictures, all the major components have been put together and the only thing left to do is some handwork on the interior seams and adding trim and froggings. 🙂