A Brief Look At Men’s Hats – The Top Hat

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Austin Lane Crothers, 46th Governor of Maryland (1908–1912)

Nothing symbolizes the height of 19th Century men’s fashion than the top hat. The symbol of respectability, the top hat reigned supreme as the ultimate fashion accessory and at one point was worn by people of every social class, including workmen. The top hat had a tall crown and a short brim that could either be curled or straight and was primarily made primarily from wool, rabbit, or beaver felt. Beaver was especially prized because it was waterproof and warm. However, due to Beaver’s popularity, the supply rapidly diminished during the 1830s (the over-trapping of Beaver was one factor leading to the demise of the “Mountain Man” lifestyle).

As a replacement, silk plush fabric was developed in France during the 1830s and was increasingly used, especially because of its natural shine. The variety of silk plush (sometimes referred to as milliner’s silk plush)  used in top hats was a textile with a raised pile or nap that gave a high luster. According to some authorities, silk plush has not been manufactured since the late 1940s thus giving rise to a thriving market in vintage tops hats. Also, the odds of finding a genuine beaver top hat are on the open market are very small and many hats that are marketed as “beaver” are actually made of silk plush (compared to silk plush, beaver is actually duller). Finally, top hats were came two types, a “town weight” and “country weight” which was a more reinforced version (typically worn while riding).

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Top Hat, 1885, worn by President Grover Cleveland at his First Inauguration on March 4, 1885; National Museum of American History, Smithsonian Institution

The specific origins of the top hat are obscure but generally speaking, its origins can be found during the 1780s and 1790s when the earlier “sugarloaf” style was revived. From the 1790s on, men’s hats began to take the form of what would later become the top hat and they were made in a variety of crown and brim shapes. This shift in fashion was especially noticeable in France at the height of the French Revolution when fashions rapidly shifted away from 18th Century fashion which was deemed to be too aristocratic.

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Portrait of a Young Man, Francois-Xavier Fabre, 1795 – 1800.

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Monsieur Seriziat, J.L. David, 1795.

By the early 1800s, the top hat had established itself as the leading form of men’s hat and they came in a variety of styles (more than the later part of the 19th Century):

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Fashion Plate, c. 1810.

During the early to mid 19th Century, top hats went through a number of style trends to include the bell-crown with its curved upper crown and the stovepipe with its tall crown and harrow brim. Below are a few examples:

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Top Hat, c. 1820 – 1825, wool fur felt; Philadelphia Museum of Art (1912-216)

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Another Bell-Crown Top Hat, c. 1850s

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Another example from the 1850s

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Top Hat, c. 1855 – 1860; Fashion Institute of Design Museum (2010.5.13)

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Gustave Caillebotte, Portrait of Paul Hugot (1878)

By the 1890s, the top hat had taken the form that more or less survives to this day: a relatively low crown with a slightly curved brim:

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Men;s Top Hat, c. 1890; Metropolitan Museum of Art (2009.300.6127)

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Portrait, c. 1890

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Lord Ribblesdale by John Singer Sargent, 1902

And naturally, there was also a special case for transporting one’s top hat when they were not wearing it:

Top Hat Box c. 1910

Top Hat Box, c. 1910 (Elekes Andor – Own work, CC BY-SA 4.0)

Top hats were also available in a straw version for more warmer climes although this seems to have been more of an early 19th Century style:

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Men’s Top Hat, Straw, c. 1820 – 1840; Museum of Fine Arts, Boston (44.199)

By the early 20th Century, wear of the top hat was increasingly limited to formal occasions rather than worn as part of everyday dress and this trend has continued on into the 21st Century.

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Advert for silk top hats, 1885.

The top hat is the centerpiece of any man’s formal wardrobe for the late 19th Century and a definite “must-have” for anyone recreating the clothing of this period. We hope you’ve enjoyed this brief tour of the world of top hats. 🙂

At The Atelier- Hats!

 

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Seafoam and teal straw, dyed in-house, with vintage straw edging and lace underbrim…perfect with the spring ensemble we’re finishing. <3

Mountains Of Straw…

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One of the three mountains of straws in various weaves, each being dyed a different shade. There will be hats…each one a Lily Absinthe confection. <3

Buffalo Bill, Fashion Trends, Hats, and the American West…

It is a truism that fashion can be influenced by a variety of things, no matter how removed from the “centers” of fashion they are. During the 19th and early 20th Centuries, this was especially the case with Paris being the fashion capital of the world.

The American West has always exerted a profound influence on the mind of the Old World and especially so during the 1880s and 1890s. Tales of seemingly endless cheap land, wild animals, Indians, and the promise of a better life (helped along by heavy promotion by the railroads and others) fueled people’s imaginations in Europe and this was reflected in the tide of immigration to the United States.

Of course, the reality was often different but people still kept on coming. As the “real” American West was steadily being transformed into an integrated part of the United States, the image of the earlier, “wild” and unsettled West still exerted a powerful influence and showmen such as William F. Cody moved to cash in with his Wild West Show.

Cody’s Wild West Show ran from 1884 through 1908 and during that time, he and his show toured the United States and Europe. With its various acts recreating stage coach robberies, Indian attacks, the even Custer’s last stand, Cody brought to life the “authentic” American West for people and this was especially the case when the show toured Europe.

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In 1889, the Show performed in Paris from May 18, 1889 through November 14, 1889 as part of the 1889 Exposition Universelle. During its run in Paris, the show performed twice daily to crowds of 20,000 and more and from all accounts, the show was a major success.

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So, with that background, on to fashion and in particular one hat:

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This hat was made by a Mme Colombin, rue de la Tour-d’Auvergne, and was featured in an 1889 issue of La Mode Illustrée, a leading fashion journal of the day, and marketed as a “Buffalo Bill Hat”. For comparison, here are two images of William F. Cody:

995713f3833fa80522080b41976be78a buffalobillIt’s hard to tell whether this was an isolated example or if there was more out there- it bears more research but in the meantime, it’s still fascinating that a fashionable Paris milliner would make the effort to create an interpretation of Cody’s hat. Of course, fashion influenced by the American West is not unknown but most of it comes later. Anyway, we hope you’ve enjoyed this little fashion tidbit. 🙂