Something Unique in Cycling Suits…

One finds the most unique things when doing fashion research and today is no exception. In my study of 1890s fashions, I came across this interesting extant example of a cycling suit:

Cycling Suit, 1890s; FIDM Museum

When I first viewed this, I thought I was looking at something from the late 1960s or early 1970s…the flower-pattern fabric just simply screams that era. 🙂 This is something that we’ve never seen before. We’ve examined quite a few 1890s era cycling suits, both in person and through photo research, but never have we seen this sort of a fabric used. As a rule, fabrics were usually solids or some sort of a pattern, similar to what one would have found in men’s sack suit It certainly makes you wonder- was this a one-off or simply a variant that never took off in popularity? We’d definitely would like to know more…It certainly makes a bold statement and must have turned heads when it was worn. Unfortunately, a online search of the FIDM Museum collection turned up nothing so we’ll have to employ other research methods. Stay tuned for more…this is certainly an interesting puzzle and we’d like to know more.

Some 1890s Bodice Styles

In the course of researching some 1890s dress designs, we came across some interesting bodices that stretch the limits of mid-1890s style. First up is this bodice that utilizes the silhouette to create a floral display:

Bodice, c. 1895-1897; Minnesota Historical Society (9520.11)

While it’s not easy to determine from the picture, this bodice is made from a silk floral brocade combined with inset silk satin insets on the bodice front. What is most striking is that the gigot sleeves have been utilized as a canvas to show off the floral design to its greatest effect. Next is this example that utilizes the bodice’s asymmetrical design to show off the embroidery pattern to it’s best advantage:

The embroidery pattern follows the line of the edge of the bodice’s front opening  along with accents on the bodice bottom and sleeves. The bodice’s black silk satin also serves as a neutral background that further shows up the bright colors of the embroidery. Here’s a close-up of the embroidery pattern:

Another interesting 1890s bodice style was the bodice jacket; this was essentially a bodice that was worn in combination with a waist. Here’s one example from Redfern:

Redfern, Bodice Jacket, 1892; National Gallery of Victoria- Melbourne (D187-1974)

This example is pretty spare, its only decoration is black floral embroidery running along the wide white-colored lapels. Definitely illustrates the idea of “less is more”. The next, example takes the wide lapel idea even further, combining it with an enlarged ivory silk faux waistcoat/vest that overshadows the bottle green velvet jacket. This is interesting in that we see an inversion where the inner garment is larger than the outer garment. Definitely an interesting effect although rarely seen.

Close-up of front.

Detail of front bottom corner of bodice.

The above examples are only a small illustration of the variety of bodice styles that were available during the 1890s and should certainly serve as a source of inspiration for those who desire to recreate the fashions of the 1890s.

And Still More 1890s Style…(We’re On A Roll Here)

Yes, we’re on a roll here…it seems to be shaping up into 1890s week (or maybe month). Here’s another great dress we came across while looking for something completely different (funny how that always seems to happen). For today’s consideration is this ball gown that was made by Pingat sometime around 1894:

Pingat, Ball Gown, c. 1894; Museum of Fine Arts Boston (56.816)

Rear View

As ball gowns go, this is a relatively simple design with a minimum of trim (mostly beading on the front bodice), relying instead on combinations of lace, and silk satin to achieve its effect.  With roses strategically placed on the skirt front, collar and shoulder, there are pops of color that offset the blush pink/ivory silk satin. The gigot sleeves combined with gored skirt definitely place this dress safely in the mid-1890s and create the classic hourglass style that was typical of the period. Overall, as with many of Pingat’s designs, this is elegant and clean and would definitely make an excellent bridal gown. Although best know for his outerwear, Pingat also produced many elegant dress designs- ball gowns, evening/reception dresses and day dresses and this is just one excellent example.

And For A Few More From The Vyne…

We’re still sorting through all the pictures that we took in England and here are some more from our trip to The Vyne, an historic manor house located close to Basingstoke in Hampshire. First, here’s another picture of us…the red in the day dress really stands out in the grey background lighting:

And here are a couple with a good friend of ours:  🙂

Here are two of the chapel:

And one of the well-appointed sitting rooms:

And the tomb of Chaloner Chute, himself:

Here’s a better picture that I borrowed from online:

Image result for chaloner chute tomb

And finally, Henry VIII himself: