A Trip To The OK Corral…

The gunfight at the OK Corral has been a key element in Tombstone’s history and with the current quarantine we’ve been unable to make our usual pilgrimage. So, just to keep the memories fresh, we decided to bump up a post we made sometime ago describing one of our visits. Enjoy!

No trip to Tombstone is complete without a visit to the OK Corral and today both of us at Lily Absinthe paid a visit. The lighting was excellent, reminding us of our visit to Monet’s Giverny Gardens, so we decided to take advantage and get some pictures and soak up some period ambiance. 🙂

Who is that saucy lady? Why, she's Karin McKechnie, the one arm of Lily Absinthe.

Who is that saucy lady? Why, she’s Karin McKechnie, the one arm of Lily Absinthe.


Out for a drive, Karin insisted on going out without a driver…scandalous!


Another view, Karin dropped in at Fly’s Studio but fortunately, Ike Clanton had departed long before.


Adam is checking on his holdings and has been assured that the assay is good.


Adam dropped in at Fly’s Studio…word has it that Johnny Behan is hiding out there from the Cowboys…


Adam taking his ease behind the OK Corral…what’s that, no gun? He left it in his other suit…

Adam Car 3

Checking out our investment…I am not sure that the automobile will go anywhere but at least it’s in a color other than black.

Adam Car2

Close up outside of the Tombstone Visitor Center.

OK, the last three pictures were actually taken across the street from the OK Corral but hey, it’s close enough. 🙂

As you can see from the above pictures, we’re dressed for a day out on the town in clothing typical of the late 1870s – early 1880s. In the case of Adam’s sack suit, this is a style that eventually segued into the modern business suit and will work for the 1880s through the early 1900s. This particular suit is made from linen with a lining of shirt-weight Pima cotton.

In the case of the Karin’s dress, this is a Parisian-sprigged cotton print trimmed in silk from the c. 1879. This is a dress definitely designed for a warmer climate. So, Gentle Reader, contrary to popular belief, Victorian Era clothing does not have to be dull, drab, and/or uncomfortable! 🙂

An Early 1890s Tea Gown…

I‘s Friday and that means the weekend and relaxation and noting says relaxation like a tea gown! 🙂 Here’s one interesting example from circa 1891-1893:

This gown is constructed from a crimson silk velvet trimmed with black chiffon on the front, upper sleeves, and cuffs. Running along the bottom is a white cotton dust ruffle. Here’s a couple more views:

Tea Gown c. 1891-1893; Kelvingrove Museum, Glasgow

The white backdrop shows off the dress nicely and one can get a really good look at the fashion fabric. Here’s a close-up of the dust ruffle:

This is an excellent view of the hem and one can see a white cotton ruffled dust ruffle that’s just a bit longer than the rest of the dress. Next, there’s a red knife pleated inner layer, probably made from some sort of polished cotton or sateen followed by the velvet fashion fabric.1The museum description was short on specifics so this is just speculation on our part. In terms of silhouette, it’s relatively straight with no train, reflecting the more casual nature of the tea gown style. This gown reads “luxury” and is an interesting example of one of the many forms that a tea gown could take during the 1880s/90s. More to come so stay tuned! 🙂

Some More 1896 Style As Featured In La Mode Pratique…

Today as part of our fashions from 1896, featured in La Mode Pratique is another interesting style, in this case a green and black striped day dress.

The dress is described as:

Silk dress of leaf green silk pekin and garnished of a collar and a draped belt of wonderful silk satin. Jabot of light cream lace.

That pretty much sums it up nicely and it’s everything we would have expected. It’s interesting to see the stripe pattern on the skirt- the front is vertical and the sides angled, no doubt because the fabric flows to follow the skirt’s gores. For the bodice, the stripes spiral upward and the stripes become horizontal on the upper sleeves while straightening out on the lower sleeves. Although one would think that the stripes running in all directions would be a confusing, jumbled mess, they’re not. The stripe patterns actually work together to create a harmonious whole. Now to track down some silk pekin… 😉