At No. 11 – What to Wear?

What to wear? This is always a major question on my mind here or back in LA and it doesn’t always have an easy answer. If I were like my Victorian forbearers, I would have a selection of clothing changes for the entire day (along with a maid to assist) but being that this is 2024, I have to take a more realistic approach. So I brought three choices…each of these dresses have been worn for only four hours each and never to Tombstone. So, we shall have to see and you all will be the first to know!


Looking Back…

Plummy pleatastic silk and very red hair! That was me, many years ago at Old Tucson Studios. Now I’m just a brunette behind the machine and happily covered in thread snips.


What’s On

Lately, we’ve been on a big push to expand our wardrobe collection and in particular, 1870s and 1880s styles that can be used for both background as well as for principal characters. Because these are all day dresses, the basic fabric we’re using is cotton, either in stripes or small irregular patterns such as florals and plants. In some instances, we are also using silk taffeta for accent. In this example, the base fabric is a light blue cotton with an old gold/chartreuse floral pattern. For accent, we used a dark gold/chartreuse (depending on the light) silk taffeta for accents on the front and sleeve cuffs.

Here’s a close-up for constructing revers to be inserted on the fronts:

The green silk chartreuse velvet was a real pain to work with- it was constantly migrating and it took a lot of pins and basting stitches to keep everything in place. Below are close-ups of the sleeve construction:

It looks simple but there were a lot of steps involved, each requiring exacting attention to detail and taking a long time. In a future post, we’ll show more so stay tuned.


And It’s A Wrap…

One of the less glamorous sides of the film business is wrapping out. Wrapping out is the process of ending a production, removing all the various equipment, props, et al. and returning the location/set to its initial condition. For us, wrapping out not only involves the set, but it also involves returning the various wardrobe items to their original sources. For our most recent production, that meant returning wardrobe to our associate’s place out in Agua Dulce after we had laundered most of the costume pieces and inspected everything for damage.

Fortunately for us, we have a system for quickly returning items to stock so it didn’t take very long to get everything put away, a major plus since it was over 100 degrees in Agua Dulce today. Currently, there isn’t anything new on the horizon production-wise so we’ll be able to take a long-awaited rest.


At Rancho Camulos

From about a month ago at Rancho Camulos…spent a Sunday picnicking with the Impressionists and their friends in the cool grass and dappled sunlight…wishing every day can feel like living in a painting!