Part of our fabric collection acquired during the course of our travels. We are looking forward to transforming these fabrics into wonderful dresses and gown just for you! 🙂
Are you all planning as to what you will do when “Shelter in Place” /”Safer at Home” is finished? I’m planning to take a truck load of things to #11 in Tombstone and start hanging draperies and leaded glass pieces in the windows! The big piano is going to be moved to the opposite wall, and that pretty gold settee and two ruby velvet chairs are going to take that place. In the corner, there will be a side table with some antique lamps. I know…getting ahead of myself here, but there *is* life outside of LA. I could use some wide open spaces. 🙂
Aesthetic, or Artistic, dress was an outgrowth of the Aesthetic Movement and as such, was a fashion trend that arose out of reaction to the heavily structured and trim heavily trimmed fashions of the late Nineteenth Century. In contrast, the Aesthetic Dress movement focused on basing fashion on simplicity of design and quality materials. Aesthetic Dress drew many of its ideas from the Reform/Rational Dress Movement and at their core, both movements sought to create more simple utilitarian garments that would give women freedom of movement, free from the restrictions of tight-lacing corsetry and elaborate undergarments such as bustles and the like.
Many Aesthetic Dress styles drew inspiration from the loosely flowing robes characteristic of the late Middle Ages and were based off of the artwork of the Pre-Raphaelite Brotherhood, an artistic movement that sought a return to the artistic styles of the abundant detail, intense colors and complex compositions of Quattrocento Italian art . It was almost natural that the influence of the Aesthetic Dress Movement would be reflected in tea gowns such as this example from circa 1897 made by Liberty London:
The tea gown consists of two parts, a peach/light orange silk outer dress trimmed in peach/red-orange colored silk with floral pattern embroidery running along the front edges and back collar. On the front, the outer dress mimics an open robe with an inner dress made of an ivory colored linen or cotton material. The outer dress is sleeveless, the inner dress providing the sleeves. Overall, this dress reads late Medieval/early Renaissance and definitely succeeds in capturing that aesthetic.
In this view, one can see a Watteau style back running down the length of the dress. During the late Nineteenth Century, Liberty London positioned itself as the leading supplier of Aesthetic style garments and there are a a number of extant garments from the era. Stay tuned for future postings on this interesting sub-fashion genre of the late Nineteenth Century.
Lately, 1890s have been a major focus for us and especially when it comes to tea gowns. We recently came across this tea gown from circa 1890 (at least according to the auction website) that reflects a Japonisme style1Dating garments is more of an art than a science in many instances and sometimes the best that can be done it to approximate it to a decade.:
This is an interesting example because the outer dress on the front is a light pink robe that mimics a kimono, opening up to reveal a light cream colored underdress. Also, we note that the sleeves are properly part of the underdress and that the outer dress is sleeveless. Here’s a view of the rear:
The rear presents a more conventional view and gives a princess line appearance. Given the size of the sleeve caps, this tea gown is either from the early or late 1890s. Here’s a close-up of the front:
The underdress is detailed with ruching and a net-like trim that draws the eye up towards the face. Below is a close-up of the embroidered design that runs along the front of the outer dress:
The pattern is very subtle here and tends to blend in with the background of the dress fabric. Unfortunately, there’s not a lot of information available on this tea dress except to say that it was produced in Japan for the export trade. That’s perfectly possible although it could have just as easily been made in the West. Aesthetically, this is an interesting tea gown because of melding of Japanese and Western elements: from the front, there’s definitely a mock-kimono style while from the rear, it looks like any number of princess line dresses of the time. Stay tuned for more!
Like most of you out there, the Coronavirus situation has had its effect on us. Thankfully we’re safe and practicing all the recommended protocols in regard to minimizing potential exposure et al. Unfortunately, this situation has also seriously impacted the economy on a major scale and that includes a lot of our friends who are having to deal with either no income or reduced income due to cancelled events, business closures, and movement restrictions.
Unfortunately, this also means that it’s increasingly unlikely that we’re going to be able to attend the Prior Attire Ball in Bath, England this year. We were looking forward to it and had already made travel arrangements a year back but there’s not much to be done about it- there’s more important concerns at work and we need to focus our efforts on dealing with the immediate situation. Finally, we want to wish our clients and all others the best and hope for a speedy resolution.