More Late 1870s Asymmetrical Style

If you liked our previous post in asymmetrical style, here’s another example from the same couturière, Maison Cécile Laisne:

Maison Cécile Laisne, c. 1878-1879; Metropolitan Museum of Art (C.I.45.38.1a, b)

This time, the designer utilized a combination of an ivory-colored silk jacquard overskirt arranged in a spiral drape that works its way upwards towards the bodice combined with a silk underskirt covered in an elaborate network of woven cords and what appear to be large metallic beads. If one looks carefully underneath the net, one can see an underskirt consisting of rows of knife pleating, also in an ivory color.

The bodice is long, going over the hips and is typical of Mid-Bustle/Natural Form styles. The bodice is symmetrical, consisting of what appears to be some sort of plain ivory-colored silk satin fabric framed along the hem and front by wide rows of ivory silk satin with passementerie consisting of cording and metallic beads similar to that of the net underskirt. Below is a close-up of the fashion fabric found on the overskirt:

From the pictures, it appears that the net underskirt is visible on the left side only while covered with the outerskirt draping on the right.

The cord work netting is amazing and the steel beads really give it definition. It also appears that there’s some ruching of the fabric of the underskirt foundation. The dress’s asymmetrical style can really be seen from this rear view picture:

The demi-train is pleated and has two or three rows of knife pleating running along the hem. Further up, one can see where the spiraling outerskirt ends, secured in the folds of the train (can we say draping? 😁 ). A small bow on the bodice back at hem level completes the look.  And last, here’s the dress label:

Compared to Maison Cécile Laisne’s design in the first post, we tend to like this design a lot better because the asymmetrical elements are arranged more harmoniously with the dress achieving a unified style rather than having elements seemingly “bolted on.” But as with all of this, it’s a very subjective thing. 😁


Become a Patron!

The Latest From Atelier Lily Absinthe- 18th Century!

Announcing another Regency Era sale at Atelier Lily Absinthe!!! Select Regency Era (1795-1820) sewing patterns are on sale for 15% off. Check it out!


Become a Patron!

The Latest From Atelier Lily Absinthe- Regency Pattern Sale!

Announcing another Regency Era sale at Atelier Lily Absinthe!!! Select Regency Era (1795-1820) sewing patterns are on sale for 15% off. Check it out!


Become a Patron!

The Latest From Atelier Lily Absinthe – Gilded Age Sale!!!

Announcing another Gilded Age sale at Atelier Lily Absinthe!!! Select Gilded Age Era (1870-1900) sewing patterns are on sale for 15% off. Check it out!


Become a Patron!

And Still More Mid-Bustle Era/Natural Form Style

Marie Bracquemond, “Woman with Parasol,” 1880

The Natural Form or Mid-Bustle Era often features in Impressionist art, invoking images of springtime. Today we feature an interesting late 1870s/early 1880s day dress from the Fashion Museum Bath:

Day Dress, c. 1878-1881; Fashion Museum Bath

Day Dress, c. 1878-1881; Fashion Museum Bath

This dress is constructed of a light blue and ivory striped silk brocade with a floral motif. The fashion fabric has been artfully cut so as the bodice features an ivory inset framed by the outer layer in blue. At the same time, the skirt features horizontal stripes of the ivory and blue fashion fabric, all artfully arranged so that the stripes are in the form of swags accented with bows in the front. The bodice sleeves and hem are a solid-colored silk moire that matches the blue of the fashion fabric. Below is a close-up of the upper skirt and bodice:

The train, from what we can discern, appears to be a darker shade of blue that harmonizes with the lighter blue and ivory. It also appears to be a silk moire. Finally, the neckline and cuffs are trimmed in an ivory lace. Below is a close-up of the bodice front:

As common with many bodices of the era, it was designed so as to give the look of a semi-open robe. From this view, it would appear that the dress is perhaps of one-piece construction with the bodice section being front-opening, which was often found with dresses of this era. However, without a more thorough examination, it’s hard to tell for sure.  Perhaps one day we’ll have an opportunity to view this dress in person, there’s so many questions…😁

 


Become a Patron!