Ninety-six degrees, but we’re pretending it’s Fall. Stay turned for more…
In a previous post, we looked at a paisley house dress/tea gown from the mid-1890s and noted that the paisley shawls that were a staple of 1850s-60s fashion would up being re-purposed into dresses during the 1870s, 80s, and even 90s. Here’s one such example with this c. 1885-89 tea gown.
Although the design makes it look like there’s a robe over a separate under-dress, it’s really all a one-piece construction.
And the back is pretty incredible:
Of course, without physically inspecting it, it’s difficult to tell how exactly the paisley shawl might have been incorporated (or if a shawl was actually used versus yardage) but it is somewhat logical given the extensive use of a solid color as an underlayer. The investigation continues… 😎
Happy First Day of Autumn! To celebrate this spooky pumpkin season, I thought I’d share one of the first ladies that started our collection in bright copper pumpkin silk faille. She’s all original, no shattering, and is fetchingly balanced on one of our own bustles. She’s homemade or Dressmaker made, completely hand finished and little to no signs of wear. Was she a wedding or special occasion dress? Only the Ghost Seamstress knows…
Our passion to help set the standard for reproducing late 19th Century garments begins with an understanding of all the details found in original/extant garments. Often, when we look at reproduction garments (film, reenactment, old time dress-up), we notice that they often repeat the mistakes found in tired, mass-produced reproduction patterns. To us, the only true way of recreating late 19th Century garments are by starting with an examination of original/extant garments. All our designs are based on originals garments and probably 80% of those specific designs are based on extant garments in our collection; if you view our social media (Facebook, Instagram), you will see our designs next to the originals that inspired them.
Side-by-side comparison. Now, bear in mind that our designs are not always line-for-line reproductions but rather we use various period design elements and combine them to create more of “inspired-by” creations.
This is the heart of the patterning/design operation- pattern pieces are checked by placing on a mannequin as well as “walking” the pieces and truing up the edges. Yes, this takes time and effort but it avoids mistakes and saves a lot of time and eliminates a lot of grief in the end. Trust us… In future posts, we’ll have more on our design philosophy.