Last image after the ball and gently packing this gown in the suitcase…it was an evening to remember! 🙂
We’re back home in LA, but still a bit glow-y! Such a lovely evening, unforgettable and excited to go back. 🙂
Official portrait from the Prior Attire Ball and Timelight Photographic.. thank you so much!
And finally we made it! In spite of all the last-minute adjustments, snafus, and general craziness, it was all worth it! Of, course no ball is complete without last-minute adjustments to the ballgown…
Arriving at the Assembly Rooms…
Overall, it was a marvelous experience and the pictures don’t do justice to the event- we’ll definitely be back. 😄
It’s a truism in fashion that the natural world has always been a source of inspiration for artists and fashion designers and the late 19th Century was no exception. Examples of natural inspiration in fashion abound and in particular have often been a source of inspiration for many of Maison Worth’s designs. In a previous post, we discussed two examples of Worth’s use of the natural world theme in the form of wheat stalks and butterflies. Today, we look at another example, this time Chrysanthemums with this circa 1895-1900 evening dress:
With a multi-gored trained skirt and minimally sleeved bodice, the dress silhouette reads late 1890s and more specifically in the 1898-1900 time frame. This dress is constructed of a salmon-colored silk satin and features a Chrysanthemum floral motif pattern. With the exception of the upper bodice, there is no trim on this dress and the Chrysanthemum design speaks for itself. Below is a close-up of the bodice:
The bodice features a semi-wrap style and continues the Chrysanthemum floral pattern with a jeweled net backed with salmon-colored tulle at the bustline. The sleeves are minimal, consisting of two strips of silk satin, some white chiffon and trimmed with gold fringe. Below is a close-up of the design motif:
As it can be seen in the picture above, the decorative design is composed of embroidered appliques that give the appearance of a velvet. It’s an amazing contrast to the silk satin skirt and bodice. Finally, not only does this dress have the Worth label, but also a label with a unique dress number which was likely to have been to a specific client. It would be interesting to know more about this… :-).
What’s also striking about this dress is that the design is not a singular occurrence but rather as part of a family of ball/evening gowns Maison Worth produced around the same time:
The above garments are all masterpieces in their own right, all featuring a large design with a natural theme. Also, judging from the silhouettes and styles, it’s clear that these garments share many of the same pattern blocks.1Although they produced haute couture, Maison Worth was still a business and early on adopted many mass production techniques although they’d never publicly admit it. Ultimately, while each of these dresses was a unique work, they all had common characteristics that made them part of a collection. Either way, they’re all artworks to be enjoyed in their own right. 🙂