A Brief Look At Men’s Hats – The Top Hat

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Austin Lane Crothers, 46th Governor of Maryland (1908–1912)

Nothing symbolizes the height of 19th Century men’s fashion than the top hat. The symbol of respectability, the top hat reigned supreme as the ultimate fashion accessory and at one point was worn by people of every social class, including workmen. The top hat had a tall crown and a short brim that could either be curled or straight and was primarily made primarily from wool, rabbit, or beaver felt. Beaver was especially prized because it was waterproof and warm. However, due to Beaver’s popularity, the supply rapidly diminished during the 1830s (the over-trapping of Beaver was one factor leading to the demise of the “Mountain Man” lifestyle).

As a replacement, silk plush fabric was developed in France during the 1830s and was increasingly used, especially because of its natural shine. The variety of silk plush (sometimes referred to as milliner’s silk plush)  used in top hats was a textile with a raised pile or nap that gave a high luster. According to some authorities, silk plush has not been manufactured since the late 1940s thus giving rise to a thriving market in vintage tops hats. Also, the odds of finding a genuine beaver top hat are on the open market are very small and many hats that are marketed as “beaver” are actually made of silk plush (compared to silk plush, beaver is actually duller). Finally, top hats were came two types, a “town weight” and “country weight” which was a more reinforced version (typically worn while riding).

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Top Hat, 1885, worn by President Grover Cleveland at his First Inauguration on March 4, 1885; National Museum of American History, Smithsonian Institution

The specific origins of the top hat are obscure but generally speaking, its origins can be found during the 1780s and 1790s when the earlier “sugarloaf” style was revived. From the 1790s on, men’s hats began to take the form of what would later become the top hat and they were made in a variety of crown and brim shapes. This shift in fashion was especially noticeable in France at the height of the French Revolution when fashions rapidly shifted away from 18th Century fashion which was deemed to be too aristocratic.

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Portrait of a Young Man, Francois-Xavier Fabre, 1795 – 1800.

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Monsieur Seriziat, J.L. David, 1795.

By the early 1800s, the top hat had established itself as the leading form of men’s hat and they came in a variety of styles (more than the later part of the 19th Century):

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Fashion Plate, c. 1810.

During the early to mid 19th Century, top hats went through a number of style trends to include the bell-crown with its curved upper crown and the stovepipe with its tall crown and harrow brim. Below are a few examples:

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Top Hat, c. 1820 – 1825, wool fur felt; Philadelphia Museum of Art (1912-216)

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Another Bell-Crown Top Hat, c. 1850s

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Another example from the 1850s

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Top Hat, c. 1855 – 1860; Fashion Institute of Design Museum (2010.5.13)

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Gustave Caillebotte, Portrait of Paul Hugot (1878)

By the 1890s, the top hat had taken the form that more or less survives to this day: a relatively low crown with a slightly curved brim:

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Men;s Top Hat, c. 1890; Metropolitan Museum of Art (2009.300.6127)

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Portrait, c. 1890

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Lord Ribblesdale by John Singer Sargent, 1902

And naturally, there was also a special case for transporting one’s top hat when they were not wearing it:

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Top Hat Box, c. 1910 (Elekes Andor – Own work, CC BY-SA 4.0)

Top hats were also available in a straw version for more warmer climes although this seems to have been more of an early 19th Century style:

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Men’s Top Hat, Straw, c. 1820 – 1840; Museum of Fine Arts, Boston (44.199)

By the early 20th Century, wear of the top hat was increasingly limited to formal occasions rather than worn as part of everyday dress and this trend has continued on into the 21st Century.

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Advert for silk top hats, 1885.

The top hat is the centerpiece of any man’s formal wardrobe for the late 19th Century and a definite “must-have” for anyone recreating the clothing of this period. We hope you’ve enjoyed this brief tour of the world of top hats. 🙂

Another Springtime Dress…

Another springtime dress design that’s perfect for the warmer weather, especially here in the Southwest. The dress is made of lace, chapeau, and silk tulle- all originals- mounted on cotton batiste with silk chiffon ruches and teeny tiny black velvet ribbon. Someday I’ll add all the finishing touches. 🙂

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There’s nothing like a swirly light-as-air skirt worn over petticoats and an S-bend corset. Ahhhh….. 🙂

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This is the perfect design for the springtime- let us design one for you. <3

A Brief Look At Men’s Hats – The Bowler/Derby

Hats have always been fascinating to us here at Lily Absinthe and millinery/hat-making is an artform all its own. In contrast to today, hats were an essential part of men and women’s wardrobes and they helped to shape and define an individual’s appearance and how the presented themselves to the world. In this post and others to follow in the future, we’ll be taking a look at hats as a means to educating and especially in connection with recreating styles from the late 19th Century. With that, let’s begin…

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For men, hats were an essential part of their wardrobe, ranging from the purely practical for protecting oneself from the elements to the purely decorative for fancy dress. For the most part, the situation/social function determined what clothing was proper to wear and this in turn also affected hat selection.

For everyday wear from 1870 through 1900, probably the two most popular style was the derby or bowler (frontier regions such as the American West had their own peculiar hat styles and we’ll leave those aside for the moment.).  The terms “derby” and “bowler” have been used interchangeably with bowler predominating in Great Britain and derby in the United States.

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Derby, American, Wool, c. 1880; Metropolitan Museum of Art (C.I.49.49.18)

The bowler/derby was characterized by a curved brim and a rounded low crown and was made of stiffened wool felt, reinforced by the addition of shellac to the manufacturing process.  The hat was said to have been invented by a London hatmaker in 1849 as an alternative to the top hat for riding due to the top hat’s tendency to catch branches and get knocked off (although there are some other conflicting stories as to its origins). No matter the case, the bowler/derby’s popularity grew as the 19th Century progressed and was popular with both the working classes as well as the more prosperous middle classes and it was ideal as both practical and semi-formal headwear.

Below are just a few examples:

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The bowler/derby was widely worn, even in the West, and it has even been claimed to have been “the hat that won the West.” Below are just a few notables that sported a bowler/derby hat (at least for the camera):

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Bat Masterson, 1879

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Butch Cassidy

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The Wild Bunch

As can be seen from the various pictures above, the bowler/derby was usually worn with the sack suit although it could also be seen with morning suits and even occasionally with a frock coat.  Just to show how ubiquitous this style was, here’s one interpretation that was made in Japan in the 1890s:

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Bowler Hat, Japanese, c. 1880 – 1897, constructed of rattan and bamboo with cloth bands; Metropolitan Museum of Art

For those desiring  to recreate men’s styles of the later 19th Century, the bowler/derby hat combined with a sack suit is a very good place to start- it provides an outfit that will work for most sorts of daytime events and even a few evening ones. In fact, we would argue that the sack suit and bowler/derby combination is probably the most versatile style for men, more so that the usual pseudo “gunfighter style” that seems to be prevalent these days.  But that’s just our opinion. 😉

Stay tuned for more posts in the future on men’s hats….

A Brief View Of Men’s Clothing – The Morning Coat

During the 1880s and on into the the early 20th Century, the morning coat increasingly supplanted the frock coat as the standard for men’s formal daywear. The morning coat (or cutaway) evolved out of the earlier dress coat (aka tail coat) and frock coat styles and was a single-breasted coat characterized by having a cutaway front with the front edges of the coat sloping away towards the rear:

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Morning coats got their name from being worn in “the morning” (which in reality could extend into the early afternoon) for men conducting business and making formal calls- this was considered the proper dress for presenting oneself to the world (although as previously noted in a previous post, the sack suit could also fulfill this function). Also, according to some sources, the morning suit was envisioned as being a proper outfit for a gentleman taking their morning horseback ride but we somewhat question the assertion- I leave that up to you to decide. 🙂

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Morning Suit, c. 1900

As with frock coats, morning coats came in a variety of materials and weights either as separates or as part of a three-piece suit with matching trousers and waistcoat (aka vest) and below are a few examples:

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Morning Coat Ensemble, British, c. 1890 – 1900; Metropolitan Museum of Art (1983.423a, b)

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Rear View

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The matching vest.

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Morning Suit, British, c. 1894; Metropolitan Museum of Art (2009.300.548a–c)

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Rear View

As seen in the two above examples, the morning coat/suit did not just come in dark, somber grays and blacks but could also be found in various lighter colored plaids. Morning suits also came in darker colors, principally black and various shades of gray:

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Morning Suit, 1885; Philadelphia Museum of Art (1933-13-1a–c)

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Morning Suit, c. 1880s; Los Angeles County Museum of Art (M.2010.33.15a-b)

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Morning Suit, c. 1875; The FIne Arts Museums of San Francisco (1985.40.34a-d)

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Morning Suit, c. 1880s

As can readily be seen from the above, black was a popular color and often various details such as taped edges, cuff details, and contrasting fabrics (principally black silk on the lapels) were used to add some variety to what would otherwise be a monotonous expanse of black. Finally, note that the coat front could have a variable amount of buttons, usually ranging from two to five, and the coat could be worn buttons or unbuttoned. Interestingly enough, morning coats made today typically have less buttons and are meant to be worn up.  Often times, the morning was worn buttoned only at the top, a popular convention for wearing coats during the late 19th Century:

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Morning Suit, c. 1880s; Los Encinos State Park

Here are a few more pictures of morning coats/suits being worn:

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The above is just a sampling of what was out there but we do believe that it gives a pretty good idea of how they were worn. Although they were typically worn with top hats, that was not always the case and sometimes one can see derby or homburg hats being worn. In contrast to the earlier frock coat style of the 1840s – 1860s, the morning coat tended to have a more narrow, fitted silhouette and was not meant to be worn loose- this is especially evident when one examines the shoulder and back seams on extant garments.

Unfortunately, time has not been kind to the morning suit- for the most part, it lives on today as ill-fitting garments usually worn at weddings (and perhaps at a few speciality formal occasions). As with fashion in general, men’s fashion has become dominated by more informal styles of dress and the morning suit has become a casualty. However, from a recreationist perspective, it is very much alive and a well-tailored morning coat is a truly treat to behold. 🙂

We hope you’ve enjoyed this brief glimpse at what is often an overlooked staple of 19th and 20th Century men’s wear and stay tuned for more in the near future.