A Little Catch-Up…

Things have been hectic at the atelier- between receiving shipments of the fabric that we’d bought in the UK and catching up various housekeeping chores, it’s a wonder that there’s time for actual sewing… 🙂 Well, after a long break, I was finally able to finish up on a few vest projects that I’d been working on for awhile. Here’s one of them:


The above vest is constructed from a pattern made by Laughing Moon that I modified for my height. The above example is the second I’ve made using this pattern and overall, it went smoothly. The pattern is based on period originals and as with the originals, there are no short-cuts- patience and and attention to detail are critical. For materials, I used a lightweight herring bone weave dark rust-colored wool combined with a lining of black polished cotton. I’ll definitely be using this pattern in the future. 🙂


In The Works…Shirts!

In anticipation of traveling up north to San Jose for the Clockwork Alchemy 2017, I am attempting to finish up some old projects that have lingered on for far too long and one of those is this men’s shirt that I started back in March. Long ago I decided that I needed to update my modern wardrobe so I resolved to make some shirts comparable to ones that would be made custom and utilizing finer fabrics with interesting patterns and colors. Fortunately, I have easy access to Mood fabrics which offers a wide variety of Italian shirting fabrics and the choices are nearly endless and after great deliberation, I settled on a purple/white/blue striped lightweight cotton:

Adam Shirt

For the pattern, I used a McCalls shirt pattern (6044) that I modified to better fit my long torso and simplify some of the assembly steps.

However, while the fabric is exquisite both in terms of color/pattern and finish, it was difficult to work with because of the slick finish; the fabric would constantly shift while running it through the sewing machine or even when simply cutting the pieces. It took me a lot longer to cut than I had anticipated because of the need to pin EVERYTHING securely. Also, in the course of sewing the pieces together, I was forced to redo seams whose edges had shifted out of position- Mr. Seam Ripper was busy throughout the sewing process.

In the end, it was worth the effort and I learned some valuable lessons about sewing with lighter, more “wander prone” fabrics and so now I have another shirt for the modern wardrobe:

Adam Shirt

I apologize for not having as many pictures as I would have wanted but unfortunately, life got in the way. However, I will be making more “modern” items in the future so stay tuned for more. 🙂

The $300 Shirt…


$300 for a shirt?! Are you serious? In some cases, yes, when it comes to shirts made to fit a specific individual. 🙂 And with online ordering, you don’t even have to leave home- what can be better? Well, let’s qualify this a bit- most places offering “custom tailored” shirts are in reality modifying existing pattern blocks based on industry standard sizes. In many cases, a person’s measurements will fall within the parameters for a specific standard size and thus require no modification whatsoever. So in reality, one is not getting a “custom” but rather a standard sized shirt in a specific color/fabric/collar combination that has been selected from the seller’s list of options. In some cases, it’s little different than ordering from a standard online catalog. Finally, price-wise, you’re often paying about the same that you would if you were simply ordering something ready-made and giving the standard size/neck, and arm length measurements.

Image result for shirt pattern blocks

The next step up still involves working off standard pattern blocks but it’s done with more precision and detail, utilizing a greater number of measurements. The better concerns will have an individual take the measurements in person to ensure that they are correct. Also, interaction with a live sales representative/tailor ensures that whatever particular fit issues you may have can be addressed up front. Also, you’ll have a far better selection of better quality shirting fabrics and more options in regard to cuff styles, stitching, etc.

Finally, this takes us to “bespoke” tailoring which is the most expensive and the most rarely done and basically involves creating a custom pattern to the individual client. Essentially an individual patter is drafted from the client’s measurements to ensure a perfect fit. The pattern drafting alone is time-consuming (and the prices reflect that 🙂 ). This method is rarely, if ever, found outside of exclusive tailor shops such as Saville Row.

I recently decided to try my version of a “custom shirt.” This being the first time I’ve made a modern shirt (as opposed to 1880s and 90s), I decided to start with to a commercial pattern. Yeah, I know I probably should have drafted a pattern but I opted for the easy way on this. 😉


I opted for Style D but only with a left-hand pocket and minus the flap. The pattern itself was the usual commercial tissue type so I first cut out the pieces and mounted them on tag board (the same cardboard that manila file folders are made from). I selected an Italian-made cotton shirting fabric in a French blue with white stripes along with a snow white Kona cotton for the collar and cuffs. Unfortunately, while this is a nice shirting fabric, it’s also slippery and prone to shifting so cutting out the pattern pieces and the subsequent sewing were a challenge- I made liberal use of pins and even then, I found myself having to restitch at various points (fortunately, I didn’t have to re-cut any pattern pieces).

Below are some pictures of the shirt under construction:


Front Pocket Intalled


Front And Back Stitched Together


Sleeves And Cuffs Installed


Collar and Cuffs Installed

So how is the fit? Well, so far it’s perfect and I didn’t have to make any alterations… 🙂 Now while this may seem fairly trivial when compared to custom and bespoke tailored shirts, it’s not so much in terms of the labor required. Naturally, there’s been a bit of a learning curve so it’s taken longer for to construct the shirt than it should. But even so, it’s been a labor-intensive process especially since each of  the seams had to be finished individually and everything checked to make sure it was set right.

Finally, on to the finishing details: 🙂

Adam Shirt

Setting The Buttonholes

Adam Shirt

Close-Up: Buttonhole Setting

And finally, for a little seam finishing, bias tape made in the same fabric:


And voilà!


Putting On The Dog (aka Going Formal)…

Tonight we took a small break from our various projects and attended the Holiday Grand Ball put on by the Social Daunce Irregulars. The Holiday Grand Ball is somewhat of a Thanksgiving Weekend tradition for the two of us, providing a bit of a break from all the usual pressures created by project deadlines and the overall holiday frenzy as well as providing an excuse for use to wear some our latest creations. 🙂

This year was no exception for Karin but for me it represented a new departure. For years, I tended to avoid men’s formal wear like the plague, usually opting for some sort of uniform. However, uniforms get old after awhile and I decided that it was time for a change so I opted for formal wear but only on my terms. Like many, I raised on the idea that if one needed formal wear, one rented it and that usually meant some sort of cheap polyester nightmare (I still have prom pictures from 1978 with me wearing a powder tuxedo that I might actually be bold enough to post one day…). In the end, it just seemed to be of such limited use item that it simply wasn’t worth the expense.

So what changed my view? Well, a small confession is in order: it was from watching way too many episodes of Downton Abbey. Yes, that Downton Abbey… For many years, I regarded formal wear (or “penguin suits” as I normally called them) as an affectation that really bore little relevance even though I do a variety of 19th Century living history events and presentations. Besides, uniforms are just way more cool… 🙂 However, after watching Hugh Bonneville I changed my mind- I like the character and he seemed to pull of the look with a sense of presence without looking affected. It simply looked way too good for me not to try it. 🙂

Image result for hugh bonneville downton abbey

So, after doing some research I decided to have a tail coat and trousers constructed based on a style that was appropriate for the 1880s/1890s. Here’s some of the inspiration for my set of tails. First, we start with some overall impressions:




Wedding Suit, 1886; Metropolitan Museum of Art (C.I.47.76.10a–c)


Evening Suit, c. 1885; Victoria & Albert Museum (T.171 to B-1960)

Obviously the color choice was going to be black with both coat and trousers made form wool. Because I live in Southern California, I opted to have the coat and trousers made from a tropical weight wool. Also, I decided to have the coat made with panels of black silk set within the lapels- the contrast in fabrics between the wool and the silk make for a more interesting appearance and it’s a detail that one rarely sees on modern formal coats.

For the vest, I opted for one with a shawl collar made of white pique fabric with silk lapels, somewhat along these lines:


Vest, c. 1880; Metropolitan Museum of Art (1991.388a–f)

Just for contrast, here’s one in black wool:


Vest, c. 1880; Metropolitan Museum of Art (1991.388a–f)

It’s difficult to discern in the picture but it also have a shawl collar. Finally, I decided that I’d go for the “white tie” look, which was considered more formal, so I had a fixed bow tie made from ivory silk and opted for a straight detachable collar. Below is the final product:


Not bad for the first time out! 🙂

I’ll be making some additional improvements for the next to time to include a more comfortable collar and not forgetting my white gloves. See you at the next ball…


Adam’s Atelier Travels To Heritage Square

This past Saturday, we were guests at a very nice wedding for one of our clients that was held at the Heritage Square Museum in Los Angeles. The wedding was a period affair, Edwardian to be precise although clothing ranged a bit on either side (not including the outright modern). Karin arrived early just to make sure that there were no last-minute complications (there weren’t, thank god) and otherwise assist. In the meantime, I was pretty much on my own so I decided to walk around and get some pictures.


It was a warm day so I decided to take these pictures from a nice, cool shady spot. 🙂



Heritage Square is composed of a series of restored houses that were moved (yes, moved) to the museum site from various sites in Los Angeles and the structures have been restored over the years. It’s come a long way since I first visited the museum in 1994. It’s a wonderful slice of a vanished Los Angeles, a Los Angeles that pre-dates the car, freeway and all it’s attendant growth and development. For a description of the various buildings at Heritage Square, click HERE.

One of the more striking houses was the Hale House which was built in 1887. I was unable to get a good picture of it so I lifted one off the internet 🙂 :

Hale House, Heritage Square, Los Angeles - Hale House - Wikipedia, the free encyclopedia:

To me, this house is especially striking and especially the brick chimneys (which are all unreinforced masonry). Beautiful to look at but not the most optimal for earthquake county here in California. Unfortunately, I was unable to capture any interior shots on this visit, but I can assure you that those are just as interesting and especially when you look at some of the details as impossibly small, curing stair cases and the like (in an era where building codes were minimal to non-existent).  In many ways, the museum is a living time capsule and well worth a visit for anyone interested in architecture and interior design of the late 19th century.

As for myself, well I was definitely dressed for occasion and keeping cool at the same time:


Here I am dressed in my linen sack suit. Although it’s not too visible, I am also wearing a starched fabric detachable collar which is a lot more comfortable than the much stiffer paper/celluloid variety. Believe it or not, wearing a detachable collar is quite comfortable and it’s now standard for me whenever I am wearing civilian clothing.

Also, because of the heat, I decided to give my new straw boater hat a try. I bought it from Darcy Clothing in the UK (highly recommended) and it presented an interesting wearing challenge. The crown is very low and it almost perches on the top of my head. I was able to create some inner tension by adding a thickness of cotton fabric inside of the hatband but I would be careful wearing this on a windy day. Otherwise, after wearing the boater for a few hours, I forgot about the low crown and it was quite comfortable. It’s a look that I highly recommend for summer and in fact is very appropriate for the late 19th Century.


And finally, the selfie…it seems to be de rigueur these days. 🙂


OK, that was extremely silly…in future posts, there will be more about the wedding dress and wedding itself so stay tuned. 🙂