Now there is no mystery as to what she wears beneath! Silk faille and antique lace we got from one of our dealers in Montmarte on our last trip to Paris, half for a client…half for me. ♡ To a great degree, this was inspired by our visit to the Toulouse Lautrec exhibit at the Grand Palais…once again, art inspires! 🙂
One of the most iconic museums in Paris is the Louvre and since we were in Paris, we decided to pay a visit (in the full expectation that it would be crowded). For those who may not know, the Louvre was originally a royal palace that was eventually converted to an art museum after the French Revolution. Today, the Louvre contains extensive holdings ranging from Ancient Egypt all the way through the 1848. To cut down on having to deal with crowds, we decided to go in the evening on a rainy Friday (they’re open until 9:45 on Fridays). Unfortunately, a lot of other people had the same idea so things were a bit crowded in the more popular areas.
For what it’s worth, we found that the best way to avoid much of the lines is to enter by way of the Carousel du Louvre, an vast underground shopping mall (it’s actually pretty cool, as malls go) that’s linked to the Paris Metro and has an entrance into the museum- the best part about this is that we were able to avoid not having to wait outside in the rain. Also, it’s highly recommended that you buy a Paris Museum Pass before arriving at the museum (you can buy them at the airport or a number of different outlets).
So after quickly moving through the security line, we decided to go towards areas that weren’t that crowded so we soon found ourselves in Coptic section which roughly spans the 4th through 12 Centuries. Here’s a few things that caught our eye starting with some funerary masks from the late Roman Era (2nd-4th Centuries AD):
And an interesting Pagan holdover from late Roman Egypt (c. 300-450 AD), a square of fabric depicting Aphrodite’s marriage to Adonis:
And then we move onto Christianity:
The above illustration is Ethiopian…amazing!
We eventually made our way to the painting galleries and were greeted by some very familiar paintings by some of the biggest names in French painting such as Gericault, Delacroix and David:
This is probably one of the most iconic French paintings and captures the spirit of Republican France. This is a HUGE picture! We was unable to get a good picture so we borrowed one from Wikipedia. 🙂
And a better version:
Here’s a better view:
Please excuse the poor pictures, the paintings are HUGE and it was difficult to get decent head-on shots but you get the idea. The thing that really jumped out at us was the sheer scale of most of these paintings- some of these pictures are easily two stories tall. The Louvre is the perfect place for display but the whole thing can be a bit overwhelming with all the people. We were at the Louvre for some three hours and it was time to go- our energy was flagging and there was a face with our name calling. Just to conclude, in no way had we even scratched the surface of their collections- there’s no way one is going to view the Louvre’s collections in a day, let alone three hours so there’s more to see the next time we come to Paris. 🙂
In our recent visit to the Musee d’Orsay, we came across this striking portrait:
The circumstances behind In the Conservatory by Albert Bartholomé are tragic. Painted in 1881, the artist depicted his wife Prospérie de Fleury (nee Madame Bartholomé) who sadly died in 1887, just six years after this portrait was executed. However, this portrait is also noteworthy in that the cotton day dress that Madame Bartholomé is wearing in the portrait survives to this day. Below are some pictures of the dress:
Here’s a closer view that shows off the details:
This dress definitely reads Mid-Bustle Era with the cuirass bodice and relatively cylindrical profile; there is a train and bustle present but it’s relatively restrained with the train spreading out rather than flowing towards the rear. The combination of colors and the pleating effect are amazing and they are just as striking “live” as well as in the portrait. The bodice is constructed of a white cotton with purple polka dots. On the other hand, the sleeves consists of white cotton with broad purple vertical stripes. The skirt is pleated such that there are white under-folds while purple dominates on the outside- definitely a unique effect. What’s especially nice is that we have both the portrait and the subject’s dress so we can compare them; it’s rare that you get this situation. Unfortunately, the dress was not on display but still, it was nice to be able to at least view the portrait up close and in person. Hopefully, someday we’ll be able to view the dress… 🙂
After an early flight out of Charles De Gaulle Airport, we finally arrived in LA 10 1/2 ours later and none the worse for wear. In contrast to the 40-some degree rainy weather, LA is clear and 90 degrees- quite a contrast and needless to say, all our winter clothes will go into storage until the next time we head for Europe. It’s good to be home and now begins the process of sorting through all the treasures that we acquired during our week in Paris. Oh, and catch up on the jet lag… 😚