Our Time In Tombstone…

Well, after a nine-hour trip with a few delays, we finally made it to Tombstone. 🙂 After opening the house and getting things packed away somewhat, we had dinner with some good friends followed by after-dinner wine and chocolates back at home (warming up for Valentine’s Day).

So what’s on for the weekend? First, we’re delivering an order to a client:

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Springtime in 1880, perfect for the promenade with dyed to match vintage straw chapeau, re-blocked and sewn on our antique straw machines. Remember, YOU wear the hat, hat does NOT wear you- this is no random assembly of “stuff”. This hat, along with  our entire collection of hats, are designed with one person in mind: YOU, the client.

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Closeup of hand finished bodice with scalloped neckline treatment with vintage embroidered net and antique lace appliques. The hat is subtle, elegant, and understated with each decorative detail positioned for maximum effect.

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Seafoam is an excellent springtime color, conjuring gentle ocean breezes and long leisurely days at the seashore. Embroidered cotton and silk with vintage lace overlays, ruching, and ruffles.

Next, we’ll be scouting out locations for an upcoming photo shoot featuring some of our new designs- we can’t reveal the designs at this time but we assure you that as with everything that leaves our atelier, it will be worth the wait.

Happy Valentine’s Day From Lily Absinthe!

 

It’s morning here in Tombstone and we all here at Lily Absinthe wanted to take this opportunity to wish you all a happy Valentine’s Day! <3

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Even Molly and Mac, the Terrier Peeps got in the act…

 

 

 

What’s On At No. 11 Atelier In Tombtone

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Early morning in Tombstone- Mac, our creative consultant also acts as our alarm clock.

It’s morning at No. 11 in Tombstone and we’re up and about..next up, pattern drafting for our new designs. From concept sketches to swatching fabrics to construction, it’s all part of the creative process here at Lily Absinthe. Inspiration can hit like a tidal wave and sometimes the creative process can feel like a roller coaster ride but in the end, the outcome is satisfying.

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The workroom at No. 11

Stay tuned for further developments from No. 11… 🙂

 

And It’s Off To Tombstone Again…

So far, 2016 has been a busy year for us. Between creating new dress designs, making hats, acquiring another vintage sewing machine, and filling orders, things have been non-stop at the atelier. 🙂 However, when possible we like to combine business with pleasure so we’ll be spending a few days at our other atelier in Tombstone. We will be delivering orders and taking orders. Our calendar for Spring 2016 is filling up fast so if there’s something you have in mind, please feel free to contact us. See you down the trail!

The Parasol Pocket & Reenactorisms

When it comes to recreating the fashions of a past era, it’s all too easy to fixate on a particular style element and make assumptions that are not necessarily supported by the evidence. One such style element is are pockets that were found on some dresses in the 1875 – 1876 time frame. These pockets have been the subject of some debate over the years and it has been theorized that they were meant to hold a fan, gloves, a handkerchief, or more improbably, a small parasol.

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Did people back in the 1870s actually do this or is this simply the artful design of a museum technician? When taken out of context, one can easily draw the wrong conclusion.

A good friend of ours who blogs on the Broke Costumer has written a blog post discussing the issue of pockets on dresses and it provides a good overview of the subject. Citing various period sources, the author builds a compelling case that ultimately concludes while there was some functional use for handkerchiefs or gloves, ultimately these pockets were meant as a decorative element and as such was a fad.

I strongly urge people to be critical and do their own research. Just as importantly, I urge people to consider how a style element was used: was it meant to be functional? Decorative or somewhere in between? Moreover, was that element in common, everyday use? Unless one is deliberately attempting to portray the exception, it’s best to keep to what was common. Finally, in doing one’s research, one much survey a variety of sources to build a general picture. Simply relying on one or two photographs or illustrations to establish a general idea on how prevalent a style element was or, just as important, how it was used.

One classic, if not extreme, example of this can be found with this Civil War picture of Captain Samuel J. Richardson, commander of Co. F, 2nd Texas Cavalry:

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Captain Samuel J. Richardson, 1830 – 1885

Yes, those are Jaguar skin trousers! 🙂 If one did not know anything further, one would conclude that this was a common uniform item for Confederate officers. However, even with a little cursory research, one will quickly see that this was not the case. Now this may be an extreme example but it does illustrate the potential pitfall if one fails to do their research and simply rely on one picture for one’s research. While it may not be necessary to re-invent the wheel in doing one’s research, it pays to be familiar with primary sources along with relevant commentary by knowledgeable authorities.

Finally, it must be noted that reenactorisms often get their start through flawed research, especially when that research validates one’s preexisting ideas, especially when it creates a “look” that agrees with our modern-day sensibilities. It’s an easy trap to fall into and yes, even I have been guilty of this.

While naturally one is free to recreate whatever fashions they want, be aware that they may not necessarily be historically accurate (and be prepared to be possibly called out on it). However, if one is attempting to work with the styles of a particular period to create something that is true to that period, it is incumbent upon them to perform their due diligence and know what is accurate and what is not.