I have no idea what day it is but I think it’s halfway through…so happy to come home at night after being in Old West Somewhere all day. Living on Granola and Granny Smiths.
Westerns
From the Film Set – Billy the Kid (In Production)
We’ve been a bit out of touch lately with all the work on the film Billy the Kid by Michael Feifer– remote locations, no WiFi, 12-hour plus days, etc. have really been a major strain but we’ve finally been able to sort out some pictures and video from the production. To start things out, here’s a few views of our lead actress, Brianna Young:
From the Atelier – On Set
Set Life. Worked with some greats on a Billy the Kid Discovery Channel documentary that’ll air in early 2025-ish. In my happy place. Film work has begun to pick up a little and yesterday I provided costume support to small production filmed on a movie ranch not too far from the Atelier. Below are a few views:
Here’s the exterior- it’s actually pretty small and even smaller when you include the cast and crew…

The drive in…and as usual, phone and wifi reception are poor to non-existent…
Once Upon A Time In The West…
For many years we used to attend a Cowboy Poetry festival that was held at Melody Ranch in Newhall, California. Melody Ranch was/is a movie ranch where a lot of Western TV series and movies were made (we worked on a few these ourselves) and it has quite a bit of history. 🙂 You may recognize it from one of the more recent productions, Deadwood. Here’s a few pictures: 🙂
Tombstone Meets Star Trek…
And for something a bit different today…Star Trek meets the Gunfight at the OK Corral! This was a popular post a few years back so I thought I’d bring it up again. And for bonus points, here’s a behind-the-scenes picture of our favorite Vulcan going “heeled”… 🙂 Enjoy!
Today we return briefly to Tombstone through the medium of television and specifically the episode of the original Star Trek television series entitled “Spectre of the Gun.” First aired on October 25, 1968, the episode centered on the inhabitants of planet Theta Kiokis II using an episode out of earth history, the gunfight at the OK Corral, as a means of punishing Captain Kirk for attempting to establish contact with the Melkotians in spite of being warned away by them.
The sets are somewhat surreal with incomplete walls, clocks and pictures that hand in mid-air, etc. because the Melkotians are using Kirk’s thoughts as the basis for Tombstone and the gunfight to recreate them as an illusion. The premise is a cleaver one and one can see it reflective of the spirit of the late 1960s with references to Man’s tendencies towards violence and killing, often for little reason.
In terms of props and costumes, this was no doubt easy to put together since Paramount Studios still had a large collection of wardrobe and props suitable for Westerns (after all, this was the tail end of the heyday of the television Western). Also what is interesting is that while this was filmed on a soundstage, they actually have a live horse or two as background- nice touch that you probably would not see if it were filmed today.
Turning to the costumes, it’s pretty much television B-Western stuff but in context of this being a Star Trek episode, it works. Here are some shots of Ensign Chekhov with Sylvia, the love interest:
We first meet her in a saloon girl style dress that’s right out of B-Western Central Casting. Unfortunately, I could not get a good screen shot of the whole dress but it’s short and the color is appropriately bright and gaudy.
Here we see Sylvia in something more demure, a generic bustle dress. Once again, I was unable to secure a screen shot but it’s a pretty generic B-Western look for the 1870s or 80s. Like much of this costuming of this era, the actresses did not wear any period undergarments (like say, a corset) and it’s evident in this picture. The hat appears to be something from the 1930s or 1950s that’s been reconditioned.
Next we have the Enterprise landing party. No surprises here and they’re all wearing the stereotypical buscadero rigs for their guns, a look that was invented for Hollywood in the early 1920s. The web belt on Spock is interesting though- no doubt they all were simply dug out of the prop room with little thought except that they fit.
Now let’s take a look at some of the other characters:
And of course no gunfight at the OK Corral is complete without:
And we can’t forget:
Kind of a contrast to this: 🙂
And for a few more shots:
The above shot of Morgan Earp, framed by lightning is very effective in revealing his character, a manic individual who is bent on a gunfight no matter what.
From a costume perspective there’s not a lot going on here but as a Star Trek episode, it was imaginative and fresh for the time. In some respects it hits on themes that are still relevant in later film versions of the Gunfight at the OK Corral and the events leading up to it.


































