This transitional dress has elements in two fashion eras, dual openings in front (real and faux) and triple split tails in back (with skirt weights!) to accommodate a fashionably bustle’d rear view…definitely one of my BFFs in our collection.
Day Dress
In The Atelier
Working on a few projects at a time keeps me interested…this is one of several reproduction gown projects that I’m working on at present. Only the foundation seams are machined, and frankly, I’m too far into this gown to take shortcuts! Have you ever had to take a vacation from a project? I sure have, with this one, but I’m determined to finish.
Something From The Lily Absinthe Collection
What’s On
Lately, we’ve been on a big push to expand our wardrobe collection and in particular, 1870s and 1880s styles that can be used for both background as well as for principal characters. Because these are all day dresses, the basic fabric we’re using is cotton, either in stripes or small irregular patterns such as florals and plants. In some instances, we are also using silk taffeta for accent. In this example, the base fabric is a light blue cotton with an old gold/chartreuse floral pattern. For accent, we used a dark gold/chartreuse (depending on the light) silk taffeta for accents on the front and sleeve cuffs.
Here’s a close-up for constructing revers to be inserted on the fronts:
The green silk chartreuse velvet was a real pain to work with- it was constantly migrating and it took a lot of pins and basting stitches to keep everything in place. Below are close-ups of the sleeve construction:
It looks simple but there were a lot of steps involved, each requiring exacting attention to detail and taking a long time. In a future post, we’ll show more so stay tuned.
At Rancho Camulos
From about a month ago at Rancho Camulos…spent a Sunday picnicking with the Impressionists and their friends in the cool grass and dappled sunlight…wishing every day can feel like living in a painting!















