Project: Circa 1884 Evening Dress- Part 2

With the newly-released series The Gilded Age, this post and its companions are very timely. Trust us when we say that we’ll have a lot to say about the costuming so stay tuned! 😁


In this post, we continue with the design and construction of our circa 1884-inspired evening dress.

We start by creating the hem, in this case utilizing knife pleating.

Constructing the hem pieces. This involved knife pleating combined with piping along the top.

Voila! And the hem is mounted to the underskirt. The train has been pinned to the rear to see how everything will hang. The waistband will be attached last, after the skirts have been thoroughly tested for fit and how they drape.

Fiona doesn’t approve of Mom working… 😄

To be continued…


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Something New!

This late bustle gown was a joy to create last month, I love asymmetrical styles of the late 1880s. ❤️

We’ll be posting more soon so stay tuned!! 😎


 

In Progress…

Waist-deep in silks and lace…there’s no place I’d rather be. 😁



What’s On…

There’s always fun when pleating is involved! More to follow… 😁



And For Some More From Maison Worth

Today we feature another ball gown from Maison Worth, in this case one from circa 1895 from Drouot, a French antique auction website:

Worth Ball Gown c. 1895

Worth, Ball Gown, c. 1895; Drouot Auction Website

As noted in previous posts, late 1890s and early 1900s ball gowns designed by Worth featured simple silhouettes with the emphasis being placed on the fabric itself  with a minimum of trim.

The gown was made of a silk lampas brocade that was expressly woven for Worth by Tassinari & Chatel1Located in Lyon, France, Tassinari & Chatel still exists today. in a “Reine des fleurs” pattern taken from a drawing of the original decoration of the bedroom of Madame du Barry in Versailles. Here’s a view of the train:

And a close-up of the bodice:

As with many of Worth’s designs, ivory chiffon was often draped around the neckline and incorporated into the shoulders. Although this was no doubt done to frame the head/face and provide a little contrast to the fashion fabric, it looks a bit overdone to us. The fashion fabric is overly obscured and its effect diminished. Of course, we’re looking at chiffon that’s over 100 years old so who knows? 😉 And now for some close-ups of the fashion fabric:

The above pictures give a good view of the pattern and just how intricate it was. Silk lampas fabric in smiliary patterns can still be obtained today from Tassinari & Chatel but trust us, it’s not inexpensive. 😆 This dress is an amazing piece of art and is yet another stunning example of Maison Worth’s range of styles.



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