Dressing Up…

Dressed for Sunday’s walk to town, it’s “Wyatt Earp Days” and event weekends are always fun. Yes, this is a wool suit…but it’s 7 oz weight and was super comfortable!

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The 1898 Walking Suit – Details, Part 1

As a follow-on to our last post, here’s some more on the 1890s walking suit. 🙂 As previously noted, the design was inspired by the “Robe Anglaise” design as depicted in the March 20, 1898 issue of La Mode Illustree:

I then had to work out the pattern from the pattern page:

Only the bodice was depicted. The skirt is based on pattern blocks I had made previously based on a  number of period skirt designs.

Next, I creates a toille for the bodice based on pattern pieces that I scaled up for my size:

A note here- the “bodice” is in reality a faux jacket-bodice and it’s actually a very complicated design. Essentially, the front is done like a bodice and will give the appearance of an open jacket over a vest- they’re actually one piece. THEN, the back is attached- it looks like a jacket but it’s actually just an extension of the front and it treated like a bodice for construction purposes. It’s a lot of illusion with hidden structures.

It was a constant process of fitting and refitting…and very importantly, this was all done wearing the corset that’s ultimately going to be worn underneath. This is a step you cannot cut corners on- you need to be mindful of the corset you’ll be wearing with the dress and work accordingly. It’s all about of structure and to get the get results, you have to work with that in mind.

More adjustments and onto selecting the right color and fabric combinations…

I wanted to combine a series of textures so that meant using a combination velvet, smooth-finish silks, and wool soutache. Even the buttons play a role!

Lapels are important part of any 1890s bodice/jacket design and I had a choice of combinations: Dark bottle green and medium brown soutache?

Or an orange-rust velvet with the medium brown soutache?

In the end, I opted for the bottle green velvet combination. Below is the first stage completion of the bodice. The pale taupe and blue woven silk I choose for the faux vest is beautiful but it loved to shred… 😝

Here’s a view of the finished bodice. I opted to put the soutache on the faux vest rather than the lapels. And just to add some interest, I tacked in some lace around the neck.

Some observations: this was a lot more work than what I was expecting, especially when it came to working out precisely how the bodice/jacket was going to be constructed. It can be very deceptive. But, once I worked out the specific construction, choosing the materials and trim was fairly easy. The main fashion fabric is a tropical weight brown wool that will wear nicely here in the warmer climate of the American Southwest (if it get colder, I can always wear a cape or cloak over it- it’s all about layers!).  The bodice front closes with hooks and eyes- the buttons are purely for decoration (as was the case for a lot of period dresses of this type). Larger buttons were used on each side of the pseudo-jacket to further emphasize the jacket/vest style; this style leans towards neo-directoire it’s not quite there. Finally, here’s just one of many pictures of the dress in action:

This has definitely become my go-to 1890s days outfit. In the next post, I’ll show some details about the walking skirt, so stay tuned!

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A Trip To Mescal Movie Set

Yesterday we took a trip out to the Mescal Movie Set in Mescal, Arizona. For those of you who may not know, this is where they filmed such famous Westerns as Tombstone and The Quick and the Dead, among other lesser movies. It got it’s start in the early 1960s and was eventually acquired by Old Tucson Studios. It was used for many years although activity significantly diminished after 1995. About a year ago, Mescal was sold to a separate entity and they’re now in the process of renovating the area and revitalize for more film business, as well as tours for the general public.

Looking East- If you remember the movie “The Quick and the Dead,” Harod’s house was located at the end. It was blown up in the movie so today nothing exists.

As you can see from the above pictures, it’s a pretty desolate area and very windy and dusty. Just the place for that 1898s walking suit!

Here’s a few more views from inside the saloon:

This should look familiar- From “The Quick and the Dead”

The buildings are in various states of disrepair with the saloon, the building on the right, in the best state. Essentially, everything was left to deteriorate for over 30 years. By the way, the “brick” saloon is fake- the brickwork is an epoxy-resin.

Karin modeling her new 1898 walking suit:

We have a fun time out there and we’ll be posting a video about this on YouTube in the near future.

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