And For A Little More From No. 11…

One room that’s going to get some special attention is the parlor room that’s located in the northeast corner at the front of the house. Here’s a “soon to be parlor” view…smallish houses have to be done one room at a time, so I am learning patience. This room is all old bead-board with beautiful old floors so it’s going to be in deep French blues, antique style pale blue ceiling, and contrast millwork. This will be the fancy parlor with the special treadle machines and the good tea service. 🙂

Tombstone House No. 11 Renovations

A little organized chaos…don’t mind the Christmas decorations. 

The View At No. 11…

This weekend was a just a brief turnaround, intended as more of checking up on the renovation work that’s been going on for about a month now. This project is going to take a bit longer than originally planned since various issues have arisen in the course of the renovation that need to be addressed- that always seems to be the way it works with any sort of remodeling/renovation, you never know sometimes what lies underneath the walls and floor… 🙂 Well, fortunately nothing major but it all adds up time-wise (and budget-wise) so it’s looking like everything will be complete in about a year.

Tombstone House No. 11 Renovations

Chartreuse is definitely the order of the day here along with gray bead-boarding and white trim. The cabinets will also be repainted and while it’s hard to make out, the floor is a tile that looks like wood planks.

However, it’s all being handled in stages so we’ll be able to utilize the house but it means a lot of shuffling. The first major phase of the operation, the kitchen, is actually close to being finished and it’s going to create a roomy, cozy space that will serve as the heart of the house. For the next phase, we’ll be renovating the bathroom to install tile and make it all user-friendly while preserving the period ambiance closely followed by the parlor and bedroom (more on that later- there are going to be some major changes there. 🙂 ).

The past year and a half have been filled with near-constant house renovations and general chaos so we’re definitely looking forward to it all coming to completion. While it may be inconvenient in the short term, it will pay off in the long run. 🙂

Finally, we just want to emphasize that as far as business goes, not to worry- we’re still very much in production although things are being operated exclusively out of our Los Angeles location for now. We have plans to return for Wyatt Earp Days at the end of May so look for us then! 🙂

On The Road Again…

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Lilly Absinthe is once again on the road, headed out to Tombstone, somewhat belatedly. 🙂 It’s just a quick turnaround this time, just long enough to secure the Christmas decorations, move some furniture around and plan out the next phases of our renovation of No. 11.

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If you don’t know, we’ve been engaged since February in renovating No. 11, performing many overdue upgrades to the house along with completely remodeling the kitchen and bathroom areas in order. The renovations will not only update and modernize the underlying electrical and plumbing, but will also enhance the historic nature of the house and well as enhancing the day-to-day liveability. It’s exciting to see the transformation and we’re not done yet. 🙂

And It’s Showtime! Two New Lily Absinthe Bridal Gown Designs Go Live

In the course of reviewing the Lily Absinthe blog archives, I came across a post from our bridal photo shoot back in August 2016 that somehow got overlooked so we thought that we’d share it now. But, as the old saying goes, better late than never so here we are… 🙂


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After many days of non-stop work, we’re pleased to finally unveil two new designs from Lily Absinthe! Yesterday found us spending a few hours photographing our new designs and while it will be a few days before we get the “official” pictures from our photographer, we thought we’d show you some preliminary pictures just to whet your appetites (and a few “candids” thrown in for good measure). 🙂

First up is our Alexandra design,

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The Grand Entrance

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Showing off those petticoats!

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Making those final adjustments…

(To be continued…)

Charles Worth & Textiles

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Textiles are a major element in any fashion style and a good designer will always seek to utilize the right fabric so that a specific style looks its best. For Charles Worth, fabrics played a major role in the design process to the point where he would commission textile manufacturers to create textiles for his exclusive use. Drawing on his background as a draper, Worth created relationships with a number of textile manufacturers, most notably the silk weavers of Lyon, France.

Charles Frederick Worth Haute Couture bridesmaid dress gown from American 1896. Probably made from silk and fabric material with contrasting woven flower floral pattern, pearl, bead and lace tulle. High neckline with blown up gigot puffed sleeve, contrasting color for the bodice, dress fully flared with train at the back. #Vintage #Haute #Couture #Fashion House of Worth.

Worth’s opinion of the role of textiles was neatly summarized in an interview quoted in the March 24, 1896 edition of the Los Angeles Herald:

When a manufacturer invents any special fabric or design, he sends me a pattern asking if I can use it. The fabric may require a severe style of dress, or if light and soft it is adapted for draperies and puffings. If the material pleases me, I order a large quantity to be mades specially for me, and design my dresses accordingly. A purchase by a large firm of a great quantity of material influences other firms, and that material, with the style it is suited to, becomes the fashion. All my models are first made in black and white muslin, then copied in the material and coloring which I select.

Worth notes that with enough yardage and the right design, one can create a popular fashion. In the above quote, Worth notes that the textile manufacturer would come to him in the hopes of an order. However, knowing Worth’s tendency to commission custom fabrics, it was a two-way process in that Worth’s designs often drove textile development. In future posts we’ll be covering this in more detail but it’s interesting to hear from one of the leading designers of the day.