As a follow-up from yesterday’s post, here’s a little commentary on colors for bridesmaid dresses from the February 1883 issue of Demorest’s Family Magazine:
Quite a new departure has been taken recently in the adoption of colors for the dresses of bridesmaids instead of the repetition of the conventional white. Why it should ever have been considered necessary for bridesmaids to wear white does not appear. There is a pretty sentiment in the purity of the robes of the bride, but the bridesmaids ought to be differentiated in some way from their companion who is about to take a serious step, and separate herself forever from the old happy life. It ought to represent the innocence and joyousness of youth, the free hopeful spirit which is still theirs, and which would naturally express itself in tints and colors, in light delicate green, mauve, pink, and dull pale gold.
It’s interesting to note that it seems that having both the bride and all the bridesmaids all in white was a thing, at least in some weddings. The writer makes an interesting point in that visually, the bride should stand apart because of the significance of getting married. This is an interesting tidbit and just reveals that when it came to wedding dress protocol, things were a lot more mixed than what we’d expect.